Cover of The Old Boys by William Trevor
Literary Fiction

Books like The Old Boys

Trevor’s blend of social farce, petty cruelty and sudden pathos creates a hunger for another small, enclosed world in which absurd rivalries expose the terror of being lonely, ridiculous and mortal.

If you liked The Old Boys, you’ll love these

Not lookalikes — kindred books. Each one shares something essential with The Old Boys, and we tell you exactly what.

Cover of Memento Mori by Muriel Spark
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Memento Mori

An anonymous caller tells a circle of elderly Londoners, “Remember you must die.” Spark turns that stark premise into a brilliantly compressed comedy of grudges, flirtations, money and status.

Like Trevor, she watches vanity without pretending it disappears with age; every response to the calls reveals a character’s deepest evasions. Yet the novel’s cruelty is disciplined by moral intelligence and flashes of tenderness. One of Spark’s most admired books, it is funny enough to devour and unsettling enough to haunt you.

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Cover of Quartet in Autumn by Barbara Pym
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Quartet in Autumn

Pym follows four ageing office colleagues whose shared routines conceal radically different kinds of solitude. Nothing is inflated: lunches, library visits and awkward conversations carry the emotional weight that louder novelists reserve for catastrophes.

A lover of Trevor will recognize the exact ear for social embarrassment and the refusal either to sentimentalize lonely people or to mock them cheaply. Shortlisted for the Booker Prize during the celebrated revival of Pym’s career, this is a quiet masterpiece whose apparent modesty makes its final emotional force almost shocking.

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Cover of The Slaves of Solitude by Patrick Hamilton
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The Slaves of Solitude

At a wartime boarding house, the solitary Miss Roach endures the conversational bullying of Mr Thwaites, a man who turns every communal meal into a display of domination. Hamilton makes the dining room feel like an entire political system, governed by insinuation, alliances and humiliations.

The kinship with The Old Boys lies in that transformation of trivial social warfare into something at once hilarious and genuinely dangerous. Hamilton’s dialogue is viciously alive, while his sympathy for the vulnerable never softens his vision. Long regarded by devoted readers and critics as one of his finest novels, it deserves far more than cult status.

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