Cover of Paladin of Souls by Lois McMaster Bujold
Fantasy

Books like Paladin of Souls

Paladin of Souls and Till We Have Faces are rare fantasies in which a formidable woman’s quarrel with the gods becomes the path to her freedom.

If you liked Paladin of Souls, you’ll love these

Not lookalikes — kindred books. Each one shares something essential with Paladin of Souls, and we tell you exactly what.

Cover of Till We Have Faces by C. S. Lewis
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Till We Have Faces

The elderly queen Orual writes an accusation against the gods, demanding that they answer for what they have taken from her. Like Ista, she is intelligent, furious, politically capable, and unwilling to accept pious evasions; both women discover that divine attention can be terrifyingly personal.

Lewis’s retelling of Cupid and Psyche is austere where Bujold is witty, but it shares her fascination with vocation, self-deception, possessive love, and the cost of seeing clearly. Often regarded as Lewis’s finest novel, it gives its difficult heroine a spiritual and psychological depth that makes Orual hard to forget.

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Cover of Tehanu by Ursula K. Le Guin
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Tehanu

What Bujold does with Ista’s widowhood, Le Guin does with Tenar’s life after being priestess, farmwife, and mother: she asks what remains when every identity assigned to a woman has been used up. On the island of Gont, Tenar takes in a terribly injured child and confronts a culture whose celebrated magic has excluded much of women’s experience.

This Nebula-winning Earthsea novel finds power in domestic labor, endurance, anger, and late tenderness without sentimentalizing any of them. Its rethinking of heroism and its respect for an older woman’s still-unfolding life make it an extraordinary companion to Paladin of Souls. It is best read after the first three Earthsea books—and is worth that entire journey.

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Cover of The Adventures of Amina al-Sirafi by Shannon Ali Chakraborty
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The Adventures of Amina al-Sirafi

Amina al-Sirafi is a retired pirate, a mother, and a woman whose knees now object to the exploits that made her famous. When an irresistible final commission pulls her back to sea, her competence, appetites, regrets, and gloriously dry voice take command of the book.

Like Ista, Amina refuses the idea that maturity should mean quiet disappearance. Her Muslim faith remains morally serious even as she encounters marvels and horrors, while motherhood complicates rather than erases her hunger for danger and achievement. This Hugo finalist combines supernatural adventure with the rarer pleasure of watching an experienced woman reclaim the unruly parts of herself.

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