Author

Books like Lisa McInerney

3 books we recommend to Lisa McInerney readers, drawn from The Glorious Heresies — each with the reason why.

If you loved The Glorious Heresies

Cover of Trainspotting by Irvine Welsh
01

Trainspotting

Welsh gives society’s unwanted people the microphone—and lets them be funny, vicious, intelligent, self-deceiving and alive. Its rotating voices, written in uncompromising vernacular, create the same thrill as McInerney’s ensemble: every new perspective overturns the moral verdict suggested by the last.

This generation-defining cult novel is often reduced to drugs and degradation, but its real power is ethical. Like The Glorious Heresies, it refuses to turn addiction or poverty into tasteful misery, and it finds fellowship amid betrayal, appetite and appalling decisions. Few novels make laughter feel so dangerous—or so necessary.

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Cover of The Butcher Boy by Patrick McCabe
02

The Butcher Boy

Francie Brady narrates his own story with a buoyant, antic confidence that becomes increasingly unsettling. McCabe traps the reader inside a voice capable of converting humiliation, family distress and communal cruelty into jokes, fantasies and private mythology.

Where McInerney uses a chorus, McCabe achieves comparable black-comic force through one unforgettable consciousness. Both expose the violence beneath respectability and the poisonous afterlife of Catholic shame, while withholding easy judgment from their damaged protagonists. Booker-shortlisted and now regarded as a modern Irish classic, The Butcher Boy is brief, ferocious and almost impossible to shake.

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Cover of Ironopolis by Glen James Brown
03

Ironopolis

Ironopolis is built from the voices and artefacts of a disappearing working-class community: testimony, folklore, recordings and memories that contradict one another while gradually forming a living social world. Brown treats neglected people not as background victims but as makers of language, legends and meaning.

Its kinship with The Glorious Heresies lies in that combination of structural anger and intimate generosity. Institutions fail; neighbourhoods are erased; people wound one another. Yet the novel remains formally playful, darkly funny and alert to the strange beauty of how communities tell stories about themselves. It is the least famous book here and perhaps the easiest to miss—which is precisely why McInerney’s readers should seek it out.

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