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Books like Anita Loos

3 books we recommend to Anita Loos readers, drawn from Gentlemen Prefer Blondes — each with the reason why.

If you loved Gentlemen Prefer Blondes

Cover of The Dud Avocado by Elaine Dundy
01

The Dud Avocado

Sally Jay Gorce arrives in Paris determined to live—with alarming efficiency—as much as possible. Her narration has Lorelei’s greatest gift: every sentence simultaneously reveals her blind spots and proves her intelligence. Sally Jay is impulsive, theatrical, sexually adventurous, and wonderfully capable of turning catastrophe into anecdote.

Dundy’s 1958 debut became a bestseller and then a cult favorite because its comic momentum never suppresses its emotional precision. If Loos delighted you by making a supposedly frivolous young woman the funniest and most commanding person in the room, Sally Jay’s breathless, lemon-yellow whirl through Paris is indispensable.

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Cover of The Artificial Silk Girl by Irmgard Keun
02

The Artificial Silk Girl

Doris, a young German woman who wants to become a “glitter,” records her ambitions in a voice compounded of bravado, shrewd observation, mangled sophistication, and sudden poetry. Like Lorelei, she knows glamour is not mere decoration: for a woman without inherited power, it can be currency, armor, and an imaginative escape route.

Keun’s novel is darker beneath its sparkle. Published in 1932 and soon banned by the Nazis, it has since been restored to its place as a modern German classic. Doris’s idiom is so alive that reading her feels less like encountering a historical character than overhearing a brilliant, vulnerable contemporary invent herself sentence by sentence.

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Cover of The Custom of the Country by Edith Wharton
03

The Custom of the Country

Undine Spragg lacks Lorelei’s comic diary voice, but she inhabits the same devastating truth: romance, status, and money are never separate subjects. Newly arrived in New York society, Undine studies what people possess, what they desire, and how they can be made useful. Wharton watches her without sentimentality—and without allowing the respectable people around her to claim moral innocence.

This is the grander, colder companion to Loos’s satire. Wharton turns drawing rooms, marriages, and financial arrangements into a merciless anatomy of appetite, while Undine’s inexhaustible forward drive makes the book ferociously readable. Anyone who admires how Loos lets a woman’s pursuit of luxury expose an entire culture should not miss Wharton’s most formidable social climber.

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