Cover of The Housemaid by Freida McFadden
Thriller

Books like The Housemaid

The Housemaid is catnip for readers who want ruthless momentum, class resentment, slippery identities, and twists that turn apparent victims and villains inside out. These three deliver that same delicious feeling of being confidently, expertly misled.

If you liked The Housemaid, you’ll love these

Not lookalikes — kindred books. Each one shares something essential with The Housemaid, and we tell you exactly what.

Cover of Look Closer by David Ellis
01

Look Closer

A wealthy Chicago couple appear to have an enviable marriage; then a woman connected to the husband is found dead. From there, Ellis constructs an exceptionally intricate game of competing stories, concealed motives, and clues whose significance keeps changing.

Like The Housemaid, it invites quick judgments and then weaponizes them against you. The multiple narrators are not merely unreliable—they are strategically truthful, revealing just enough to let you build the wrong picture yourself. Thriller devotees have embraced it as an under-the-radar favorite for good reason: its final stretch delivers the rare sequence of twists that feel outrageous in the moment and inevitable afterward.

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Cover of The Kind Worth Killing by Peter Swanson
02

The Kind Worth Killing

On a flight from London to Boston, two strangers begin discussing murder. Swanson turns that provocative encounter into a coolly controlled psychological thriller populated by intelligent people with flexible consciences.

Where The Housemaid finds dark pleasure in shifting power between predator and prey, this novel makes that contest even more morally treacherous. Each change of perspective alters whom you fear, whom you trust, and—most disturbingly—whom you want to succeed. A finalist for the CWA Ian Fleming Steel Dagger, it has become a modern favorite among readers who like their suspense elegant, nasty, and impossible to put down.

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Cover of The Last Mrs. Parrish by Liv Constantine
03

The Last Mrs. Parrish

Amber Patterson is tired of being invisible. She selects glamorous, wealthy Daphne Parrish as the doorway into the privileged life she believes she deserves, then carefully makes herself indispensable.

The kinship with The Housemaid lies not just in the affluent household or scheming outsider, but in the novel’s command of envy and assumption. Constantine lets you feel the allure of money, beauty, and status while steadily exposing the violence hidden inside supposedly perfect lives. A bestselling Reese’s Book Club selection, it earned its huge readership through a particularly satisfying reversal of perspective: skip it, and you miss one of domestic suspense’s most compulsively readable traps.